#16
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Re: Modern Day FMs
Again, I say; what's your point?
Whether you decide FM is lossy or not, in the absence of a better source, it's all you've got. All FM broadcasts are 'off-air', 'over the air', or, for want of a better word, 'Post-FM'. The only way to improve on it, without re-engineering the transmission protocols, is for someone to provide a matching 'Pre-FM' source. In the absence of this, does it really matter whether or not the post-FM is lossy or not? It's the ONLY source. Regards, Graham No members have liked this post.
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#17
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Re: Modern Day FMs
Graham, its just a discussion with lots of techno and babble
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#18
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Re: Modern Day FMs
ps there's another thread over here:
http://www.thetradersden.org/forums/...ead.php?t=9766 I haven't found blocks in those samples other than the incredibly flat tops. Sound is quite good, better than the sound of the big stations in Toronto.
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#19
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Re: Modern Day FMs
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EAC isn't good. For SA you should get yourself CEP. Trial version is enough. FA and SA still work after it's expired. Check here: http://www.thetradersden.org/forums/...ead.php?t=4288. I like audacity for FA, at the moment. That's pretty fine for my inexperienced eyes. You can't decide what it is if you only know the point of the cutoff. There are also mp3s which only cutoff above 20Khz, MDs which cutoff below 16 Khz etc. And it may also have been compressed, pitch changed etc. I think that a pro will be able to decide correctly in most cases. Basically the problem is that you only may proof lossyness but never losslessness. So that's like in science. You can only proof what's wrong. And the art is to find the right test in difficult cases which proofs lossyness. No members have liked this post.
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#20
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Re: Modern Day FMs
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#21
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Re: Modern Day FMs
well let me dig up some of my FM-sourced shows when I get home and get back to you on that... iirc the older FM broadcasts have a more hazy cutoff, but the new ones look like they've been very abruptly sawed off. In the case of these two broadcasts I couldn't find blocks and they sound decent, so maybe they're not lossy, perhaps they are using a more accurate digital LPF I'm not 100% certain, either. However there are other recent FM captures that I am certain about and I can post some SA screencaps from those, as well as some older FM shows from the pre-mp3 days and we can compare.
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#22
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Re: Modern Day FMs
I'm not even certain why they are lossy encoding broadcasts before sending them to air... here's a bit of relevant recent conversation from the zep board:
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#23
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Re: Modern Day FMs
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May 4 2005, 16:37 Post #51 The BBC distribute FM around the country in NICAM format, so assuming you can receive a relatively strong FM signal then you're basically hearing NICAM-encoded audio. NICAM is 14-bit PCM companded to 10-bits using a sampling frequency of 32 kHz (see http://tallyho.bc.nu/~steve/nicam.html). So, not capable of CD-quality, but not too far off it. And although it might appear that its audio bandwidth will be narrower than MPEG audio because of the lower sampling frequency, all digital radio stations in the UK that I'm aware of lowpass filter with a cutoff frequency of about 15.5 KHz anyway, so there's really no difference in that respect. Not sure if you know about that. 2 years old but NICAM should be a good guess still. No members have liked this post.
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#24
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Re: Modern Day FMs
well I'll be... so its a lower sampling frequency LPCM WAV?!?? that makes a hell of a lot of sense. Also slightly more shallow bit depth making it a little more coarse. Sampling at 32kHz gives a hell of an abrupt cutoff at 16kHz (nyquist). So its not mp3 at all!
The lower-grade wav doesn't make the hated swish, that's a hell of a broadcasting system they've got over there. Are you living in the UK? You should be thankful for the BBC Source: WWOZ 90.7 FM New Orleans April 27, 2007 the third is a closeup (note frequency scale on right)
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#25
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Re: Modern Day FMs
I found a page about KCMP. Also over 2 years old. And there someone says that 'The actual broadcast signal quality is roughly equivilant to 96Kbps MP3'. But can't really confirm that this is correct.
It's almost funny. They search for music for their music library in CD quality and a person says: 'there is a quality issue with taking audio that has previously been compressed and putting it on the air. It really wouldn't sound all that great after passing through our web encoders or the digital radio codec'. No members have liked this post.
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#26
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Re: Modern Day FMs
^that one the DJ says was taped a couple days previous, perhaps delayed broadcasts are stored as lossy?
LOVE BATTERY @ HIGH DIVE - SEATTLE,WA. 2006-07-01 KEXP FM
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#27
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Re: Modern Day FMs
^Lineage: KEXP.org Lossless Stream
(codec of the stream is WMA Lossless - Original bit rate is 1411.2 kb/s.) Total Recorder-WAV-Wave Splitter-TradersLittleHelper-FLAC(6). it is not WMA lossless! oh, well. it sounds as awful as it looks, but its the first love battery show ever to be seeded (pretty sure).
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#28
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Re: Modern Day FMs
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they used to broadcast records on the radio, with no digital shit in the path, those were the days. here's some from a talk radio show called Hour 25, scifi/comics talk radio 1986:
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#29
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Re: Modern Day FMs
^check out the soft cutoff on that!
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#30
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Re: Modern Day FMs
Taj Mahal New Orleans Jazz Festival 2007
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